{"title":"CDs","description":"","products":[{"product_id":"julia-cd","title":"Julia CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp class=\"short-description\"\u003eCD housed in a digisleeve wallet with lyric booklet.\u003c\/p\u003e\n\u003cp\u003eJulia Cumming’s solo debut Julia opens with an unadorned declaration of independence: her voice and a piano uniting for a liberating proclamation of self that rejects doubt, misogyny, and the notion of being “too much. Julia unlocks a creative door years in the making for the New York–born multi-instrumentalist and Sunflower Bean bassist, culminating after nearly two decades of bands, releases, labels, and relentless touring. As Sunflower Bean’s Headful of Sugar era ended in 2023, Cumming decamped to Los Angeles, where a two-year, deeply healing collaboration with producer Brian Robert Jones — her “second artistic puberty” — took shape. Drawing freely from formative influences: Burt Bacharach, Carole King, Joni Mitchell, Carly Simon, and Brian Wilson. Julia emerges as a joyful, anti-cool coming-out: a celebration of the dorks, the misfits, and the enduring truth of being enough.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Julia Cumming","offers":[{"title":"Default Title","offer_id":47258257227970,"sku":"100P-13039","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/juliaorchidCD.png?v=1773418976"},{"product_id":"narrows-cd","title":"Narrows CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eSome images just stick with you; images like Geist und Blutlache, a spare but spooky portrayal of a ghost staring at a pool of blood. Or is it simply a kid wearing a bone white sheet, standing over a crimson splashed slab of concrete? Whatever the case many be, Paul Duncan was so captivated by Katharina Fritsch's work that it helped inspire the name of his equally haunting avant-pop project, Warm Ghost.\u003c\/p\u003e\n\u003cp\u003e\"I was about 11 when I first saw that image in a book my art teacher gave me\", says the longtime singer\/multi-instrumentalist (who has also delved into several solo albums and collaborations with such varied artists as Oren Ambarchi, Tortoise, Bear in Heaven and members of Grizzly Bear). 'I thought it was so simply and beautiful.'\u003c\/p\u003e\n\u003cp\u003eIt is this duality that is one of the driving forces in Warm Ghost's debut album, Narrows. That means every pop element - from the comet-like chords of 'G.T.W.S.,' to the the climactic, synth-chased choruses of 'Myths On Rotting Ships' - is offset by an avant-garde one. Flourishes of field recordings and splintered blocks of beats and samples suggest a life of listening to Aphex Twin, Autechre and fringe icons like Fennesz, Cluster, and Chris \u0026amp; Cosey.\u003c\/p\u003e\n\u003cp\u003e'It's all about making our music more challenging to the ear,' explains bandmate Oliver Chapoy. 'There is so much happening throughout the songs - little sound bursts, hypnotic rhythms - that helps maintain the balance between a typical electronic pop album and an experimental one.'\u003c\/p\u003e\n\u003cp\u003eRecorded with Abe Seiferth at the DFA studios in New York, Narrows perfectly captures Warm Ghost's heady synth-pop into nine all-encompassing tracks.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Warm Ghost","offers":[{"title":"Default Title","offer_id":47258257424578,"sku":"100P-13030","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Narrows_0f594ef8-4510-4fc3-84b2-315032ee7019.png?v=1773418985"},{"product_id":"sprinter-cd","title":"Sprinter CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eScott escaped the confines of her churning mind in order to find herself by recording Sprinter in the market town of Bridport in Dorset, England; and then at the Bristol studio of Portishead's Adrian Utley. With his guitar riffs and synthesizers lingering in the background like a lowland mist and PJ Harvey's Robert Ellis and Ian Olliver on rhythm—the two fortuitously reuniting 23 years after the release of Dry, and in Scott's 23rd year of living—she crafted a \"space cowboy\" record. \"That's as simply as I can say it,\" says Scott, who cites inspirations as diverse as Funkadelic and Nirvana, Ray Bradbury and Joan Didion.\u003c\/p\u003e\n\u003cp\u003e\"I wanted something that very clearly stemmed from my Southern conservative roots but that sounded futuristic and space-y at the same time.\" It seems like an odd thing to look for in the picturesque seaside green, rolling hills in the south of England, but Scott had never been there before, and as a stranger in a strange land she found what she was looking for: a lost childhood. Sprinter was recorded in a room that had formerly been used as a children's nursery, which combined with the alien landscape fuels the self-searching that roils TORRES' music.\u003c\/p\u003e\n\u003cp\u003eFollowing her self-titled debut in 2013, TORRES pushes herself to even noisier extremes on Sprinter, a punishing self-examination of epic spiritual and musical proportions.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Torres","offers":[{"title":"Default Title","offer_id":47258257522882,"sku":"100P-13028","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Sprinter_1db3be37-858b-43a4-9f96-ffcdcad89a75.png?v=1773418990"},{"product_id":"wilderness-of-mirrors-cd","title":"Wilderness of Mirrors CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eThe best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWilderness of Mirrors\u003c\/em\u003e, feels so aptly named. In the five years since the band’s prior album, Death Song, and the two-plus years spent working on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWilderness of Mirrors\u003c\/em\u003e, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilderness of Mirrors\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexpertly refines the Black Angels’ psychedelic rock attack alongside a host of intriguing sounds and textures. There are classic blasts of fuzzed-out guitars meant to simultaneously perk up the ears and jumpstart the mind, alongside melancholy, acoustic guitar-driven newfound experiments. Mellotron, strings, and other keyboards also play a more prominent role on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWilderness of Mirrors\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethan ever before.\u003c\/p\u003e\n\u003cp\u003eEven amidst these new experimentations, The Black Angels remain masterfully true to psych-rock forebears such as Syd Barrett, Roky Erickson, Arthur Lee and the members of the Velvet Underground, all of whom are namechecked on album highlight “The River.” “The Velvet Underground song ‘I’ll Be Your Mirror’ – that’s what every Black Angels album has been about,” says vocalist\/bassist Alex Maas. “You can’t work out your struggles unless you bring them to the forefront and think about them. If we can all think about them, maybe we can help save ourselves.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"The Black Angels","offers":[{"title":"Default Title","offer_id":47258257588418,"sku":"100P-13026","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/wildernessofmirrorscd.png?v=1773418996"},{"product_id":"pray-for-rain-cd","title":"Pray For Rain CD","description":"\u003cp\u003eWhen it came time to write and record their follow-up to Moon Tides, Sarah Vesprille and Dan Hindman knew what they didn’t want. “We didn’t gravitate towards someone making indie dream-pop records,” Dan said. That was when producer John Congleton (St. Vincent, Swans, Angel Olsen, The Walkmen) reached out to the band and invited them to come record with him in his Dallas, TX studio. “John pushed us to not make clichés, to not play into the style of other bands,” Dan said.\u003c\/p\u003e\n\u003cp\u003eEverything on Pray for Rain is pretty much as Pure Bathing Culture actually sounds, all analog gear, with virtually no plug-ins or effects added afterwards, no hiding behind multiple layers. “There aren’t a lot of tricks; What you hear is naturally what’s there,” Dan said.\u003c\/p\u003e\n\u003cp\u003eSarah summarizes the Pray for Rain experience as one of “stepping into the realm of discovering who we are as a band and as songwriters,” echoing a theme of the album itself, the process of change and transition. “You can find the best version of yourself in those hardest moments,” she said. To which Dan adds: “You have to be backed up against the wall in order to really feel those feelings and respond to them.” Pray for Rain is the sound of Pure Bathing Culture transforming from who they were to who they will be, of finding their way, ready to take steps both small and momentous on their musical path.\u003c\/p\u003e","brand":"Pure Bathing Culture","offers":[{"title":"Default Title","offer_id":47258257752258,"sku":"100P-13022","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/prayforrain_c2f92f2d-d34c-403a-8e73-0ae7153cefc0.png?v=1773419003"},{"product_id":"middle-brother-cd","title":"Middle Brother CD","description":"\u003cp\u003eThe debut record from John McCauley, Matt Vasquez and Taylor Goldsmith’s project Middle Brother.\u003c\/p\u003e\n\u003cp\u003eIn a time when synthesizers and laptops were taking over stages, Goldsmith, McCauley and Vasquez were leading the pack of young rock songwriters who were more interested in carrying on the tradition of figures like Neil Young, Bruce Springsteen, and Tom Petty. Their songs are anthemic, soulful, passionate and confessional.\u003c\/p\u003e\n\u003cp\u003eRecorded in Nashville during 2009, when the three songsmiths realized, after several on-stage collaborations, that they shared a unique vision and wanted to take it one step further - into the studio. With additional appearances from Jonny Corndawg and Jason Isbell, these songs capture the effortless and diligent songwriting of each contributor at the beginning of long and budding careers for Dawes, Deer Tick and Delta Spirit.\u003c\/p\u003e\n\u003cp\u003eThe 12 tracks on Middle Brother are the result of their off-the-cuff yet diligent workshop experience. The songs are world-class, and the performances raw and immediate as each member pushed the other to bring the best of what they do to the table. The record captures a potent moment in time for these three burgeoning song-writing stars who are just beginning to feel the real power in their respective talents. They are confident, but not resolute and stuck, and more importantly are willing to explore each other’s ideas as they work towards the common ideal of the redemptive power of the song.\u003c\/p\u003e","brand":"Middle Brother","offers":[{"title":"Default Title","offer_id":47258257948866,"sku":"100P-13017","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/MiddleBrother_68cc91b6-6500-487a-9768-3dbd61f44063.png?v=1773419013"},{"product_id":"animal-cd","title":"Animal CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003e‘Animal’ was a word Laura Marling threw into a lyric simply to meet a rhythm. But it seemed to capture the mood of the new record, and of LUMP as a whole. “There’s a little bit of a theme of hedonism on the album, of desires running wild,” she says. “And also it fed into the idea we had from the start of thinking of LUMP as a kind of representation of instincts, and the world turned upside down.” It is something childlike and grotesque and filled with possibility, they say. “We created LUMP as a sort of persona and an idea and a creature,” says Mike Lindsay. “Through LUMP we find our inner animal, and through that animal we travel into a parallel universe.”\u003c\/p\u003e\n\u003cp\u003eLUMP is the product of Brit Award-winning Laura Marling and Mercury Prize-winning Mike Lindsay. LUMP's second album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAnimal\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis out now on Chrysalis Records \u0026amp; Partisan Records.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"LUMP","offers":[{"title":"Default Title","offer_id":47258257981634,"sku":"100P-13016","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Animalcd.png?v=1773419017"},{"product_id":"patterns-in-repeat-cd","title":"Patterns in Repeat CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eGrammy nominated Laura Marling is back with her eighth studio album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePatterns in Repeat\u003c\/em\u003e. Now eight albums and 15 years into her career as one of the most acclaimed, prolific and respected songwriters of her generation (Grammy and Mercury Nominated and Brit award winning)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePatterns in Repeat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas written following the birth of her daughter in 2023 and finds Laura reflecting on her motherhood experience as well as more broadly diving deeper into her reckoning with the ideas and behaviours we pass down through family over generations.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Laura Marling","offers":[{"title":"Default Title","offer_id":47258258112706,"sku":"100P-13014","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/patternscd.png?v=1773419021"},{"product_id":"legacy-cd","title":"Legacy + CD","description":"\u003cdiv class=\"product-details\"\u003e\n\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eLegendary activist and Afrobeat originator, Fela Kuti, used his music to lament social injustices and political corruption in his native Nigeria. Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock, and beyond. While this impact can be felt in Nigeria and the entire world, it also greatly affected Fela’s son Femi and his son Made, both of whom carry his legacy as torchbearers for change. On February 5th, Partisan Records will release two albums from Femi and Made, packaged together and appropriately titled ‘Legacy +’.\u003c\/p\u003e\n\u003cp\u003eBoth albums that make up ‘Legacy +’ are steeped in the tradition of Afrobeat invented by Fela, but each also offers their own unique vision. Femi’s 'Stop The Hate' honors Fela in a traditionally fun, sharply political, and affirming way. Meanwhile Made’s ‘For(e)ward’ is a modern and progressive freedom manifesto, pushing boundaries of the subgenre even further. Made also performs every instrument on his album. Both albums also feature portraits of Femi and Made, done by Brooklyn-based artist Delphine Desane, whose work was recently featured on the cover of Vogue Italia. \u003c\/p\u003e\n\u003cp\u003eLegacy + will be out on 5th February 2021 on Partisan Records.\u003c\/p\u003e\n\u003cp\u003eCD and digital formats of 'Stop the Hate' by Femi Kuti include bonus track 'Young Boy Young Girl'.\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Femi Kuti \u0026 Made Kuti","offers":[{"title":"Default Title","offer_id":47258258342082,"sku":"100P-13005","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/legacy_cd.png?v=1773419032"},{"product_id":"army-arrangement-1984-cd","title":"Army Arrangement (1984) CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eBill Laswell’s mix of Army Arrangement for the Celluloid label was an act of gross cultural-arrogance. With Fela in jail on trumped up currency-smuggling charges when the time came to make the final mix, the label approached Dennis Bovell . But Bovell was unavailable and so Celluloid house producer Bill Laswell was drafted in. Laswell was contemptuous of the album. In an interview with Musician magazine, he was quoted as saying: “All of Fela’s horn solos were abysmal (and) were erased…We mixed the LP in five minutes, as a favor…You can talk about Africa and fucking politics for days, but the fact is that keyboard player Bernie Worrell and drummer Sly Dunbar, drafted in by Laswell are high-grade musicians and Fela’s in jail.” Friends smuggled a cassette of Laswell’s version inside to Fela. Listening to it, he said later, was \"worse than being in prison.”\u003c\/p\u003e\n\u003cp\u003eFirst re-issued as part of Fela Kuti Box Set #4 curated by Erykah Badu in 2018. Originally released by Celluloid US\/UK..\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Fela Kuti","offers":[{"title":"Default Title","offer_id":47258258374850,"sku":"100P-13004","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/armyarrangement_c74a267f-0a6d-4a2d-871d-d35d826209fb.png?v=1773419034"},{"product_id":"ensen-cd","title":"Ensen CD","description":"","brand":"Emel","offers":[{"title":"Default Title","offer_id":47258258505922,"sku":"100P-13001","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Ensen_fcb1aedd-ad14-42fd-93ac-e389aeb375c7.png?v=1773419042"},{"product_id":"eagulls-cd","title":"Eagulls CD","description":"\u003cp\u003eSince forming in 2009, Leeds-based Eagulls have become synonymous with a discontented, disillusioned kind of anger, molded into bullets of post punk that’s rife with urgency and aggression.\u003c\/p\u003e\n\u003cp\u003eNow, following further standalone releases, their debut album is complete and slated for release in early 2014. Finessing the incensed spirit of their early tracks and gigs, it sets its stall out as a heavier, darker and more exhilarating step on from what’s come before. ‘Nerve Endings’, opening track and first taste of the record, encapsulates that in throbbing bass and George hollering “can’t find my end” whilst ‘Fester-Blister’ provides an anthemic streak cutting through a wall of frenetic noise. ‘Tough Luck’ takes inspiration from outside the punk pool associated with Eagulls, boasting a rumbling Joy Division-esque bassline. It all ends on the searing rush of ‘Soulless Youth’, which finds George declaring “I never feel fine\/They’re soulless inside… the soulless youth” with enough bile to make it clear just how he feels about his generation.\u003c\/p\u003e\n\u003cp\u003eWith the record now complete and ready for release, expect their own unique brand of mayhem to be lighting up venues around the country as they return to their natural environment of the road to reinforce their abrasive brilliant reputation once more.\u003c\/p\u003e","brand":"Eagulls","offers":[{"title":"Default Title","offer_id":47258258571458,"sku":"100P-13000","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/eagulls_9fab222c-2a52-4fdd-86a8-dd193a2ab539.png?v=1773419043"},{"product_id":"if-the-roses-dont-kill-us-cd","title":"If The Roses Don't Kill Us CD","description":"","brand":"Christopher Denny","offers":[{"title":"Default Title","offer_id":47258258899138,"sku":"100P-12991","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/iftheroses_cc15c422-dd74-432b-b800-56d1b7c99703.png?v=1773419067"},{"product_id":"gemelo-cd","title":"Gemelo CD","description":"\u003cdiv class=\"product-details\"\u003e\n\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cem\u003eGemelo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the new album from songwriter and pop auteur Angélica Garcia. Its title is a reference to the twin self – the idea of a second, more intuitive self within. It’s a vibrant, prismatic hybrid-pop record that soundtracks a journey through the different stages and forms of grief. Angélica explores its inherent loneliness, beauty, and tension, eventually finding liberation.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGemelo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso expertly deconstructs facets of universal themes like religion, spirit, heritage, womanhood, and ancestral veneration.\u003c\/p\u003e\n\u003cp\u003eBorn in East LA with Mexican and Salvadoran lineage, Angélica embodies the essence of contemporary America, a cultural landscape continually evolving through its fusion with rich Hispanic influences. In a reflection of modern America itself,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGemelo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso marks Garcia’s first album sung almost entirely in Spanish, inviting listeners to reconsider what they think an American record can be.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGemelo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas produced by Carlos Arévalo of LA-based rock band Chicano Batman, his first time working in such a role. Sequenced with extreme intent, the album progresses from a delicate, tender entry on Side A which serves almost like a meditation, to the visceral intensity of Side B, which immerses into the difficult, at times terrifying work of healing. With growth and exploration like wind behind her, Garcia arrives at her clearest and most fully realized vision of self on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGemelo\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGemelo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the anticipated follow-up to her 2020 breakthrough\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCha Cha Palace\u003c\/em\u003e, which featured on several year-end lists and brought Angélica to NPR’s Tiny Desk.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Angélica Garcia","offers":[{"title":"Default Title","offer_id":47258259095746,"sku":"100P-12987","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Gemelocd.png?v=1773419077"},{"product_id":"divisionary-cd","title":"Divisionary CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eHaving spent much of the last two years in willful isolation, Ages and Ages surface at last with Divisionary, an emotive and emotional song cycle that sees the Portland, Oregon-based collective wrestling with many of the contradictions and confusion that life has to offer. Pervasive acclaim and a fervent fanbase followed 2011’s debut, Alright You Restless, but the band soon found themselves confronting what co-founder\/frontman Tim Perry refers to as “some dark-ass shit.”\u003c\/p\u003e\n\u003cp\u003eAges and Ages tackled those challenges by amping up their multi-layered modus operandi – all gang harmonies, rhythmic discovery, and inner conflict – the contrast between joyous sound and disheartening subject matter instilling songs such as “No Pressure” and “Our Demons” with striking pragmatism and undeniable muscle. 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Artwork and packaging by Bráulio Amado.\u003c\/p\u003e\n\u003cp\u003eYour Hero Is Not Dead is full of supremely crafted songs about moral, political, and ethical grey areas. It is an album about empathy and compassion, struggle and release, and all the ways we contradict and battle within ourselves. Recorded alongside his close friend and producer Nathan Jenkins (aka Bullion), they find Westerman attempting to resolve external issues by looking inward. 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It is unafraid to admit or to accuse, eager to confide and to provide, in direct, shimmering confessionals. The irony is that Cullen seems to have not been afforded these luxuries in his personal relationship, and observing his self-portrait leaves the listener feeling similarly ephemeral and isolated. All save for that of his musical relationship with Cobb, who's dynamic and punctual dark-pop flavor echoes his bandmate's struggle with audible landscapes appropriately smooth in their tones and jagged in their turns. ‘Modern Addiction’ is a window to overdose, intervention, relapse, and sobriety. 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Inspired by the moments that come just before sleep when silence descends, and doubt and fear and desire take over, Cullen explains, “Lying awake at night, when it’s just me and my mind racing, that’s when I drift into the darkest parts of myself. Until I wrote these songs, I never really knew if anyone else struggled with those same thoughts and fears.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"TENDER","offers":[{"title":"Default Title","offer_id":47258264207554,"sku":"100P-12535","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/fearoffallingasleepCD.png?v=1773419230"},{"product_id":"hardly-the-same-snake-signed","title":"Hardly The Same Snake - CD","description":"\u003cp\u003eVisceral yet inherently soulful, Hardly The Same Snake is the sound of the Johannesburg-born, Doncaster-raised artist Doya Beardmore finally finding his voice – both literally and figuratively. In practical terms, that involved finding the courage to foreground his gravelly baritone in these gloriously genre-agnostic productions. But it also meant branching out beyond his safety net to figure out the artist he truly wanted to be. As Skinny puts it today, “This album is what I would have created the first time round had I rated my own voice.”\u003c\/p\u003e\n\u003cp\u003eThe idea of forging your own path – and shedding skin, so to speak – is integral to 'Hardly The Same Snake'. Begun pre-pandemic and completed in the spring of 2021, it’s a defiantly outward-looking record contemplating family, religion and major life milestones, from parenthood to death. Where previously Skinny relied on dream diaries as his primary lyrical resource, this time he took notes at design exhibitions, using these unfiltered observations as a jumping off point for songs.\u003c\/p\u003e\n\u003cp\u003eIf this superb second album proves anything, it’s that it doesn’t matter how much Skinny errs on the side of self-deprecation – he remains one of the UK’s most fearlessly original voices.\u003c\/p\u003e","brand":"Skinny Pelembe","offers":[{"title":"Default Title","offer_id":47258264961218,"sku":"100P-12531","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/HardlyTheSameSnakecd.png?v=1773419238"},{"product_id":"from-africa-with-fury-rise","title":"From Africa With Fury: Rise","description":"","brand":"Seun Kuti","offers":[{"title":"Default Title","offer_id":47258265125058,"sku":"100P-12528","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/fromafricawithfury-rise.png?v=1773419244"},{"product_id":"welcome-to-bobbys-motel","title":"Welcome to Bobby's Motel CD","description":"\u003cp\u003eWho is “Bobby,” you ask?\u003c\/p\u003e\n\u003cp\u003eEnter Pottery. Enter Paul Jacobs, Jacob Shepansky, Austin Boylan, Tom Gould, and Peter Baylis. Enter the smells, the cigarettes, the noise, their van Mary, their friend Luke, toilet drawings, Northern California, Beatles accents, Taco Bell, the Great Plains, and hot dogs. Enter love and hate, angst and happiness, and everything in between. Beginning as an inside joke between the band members, Bobby and his “motel” have grown into so much more. They’ve become the all-encompassing alt-reality that the band built themselves, for everyone else. So, in essence, Bobby is Pottery and his motel is wherever they are.\u003c\/p\u003e\n\u003cp\u003eBut really, Bobby is a pilot, a lumberjack, a stay at home dad, and a disco dancer that never rips his pants. He's a punching bag filled with comic relief. He laughs in the face of day-to-day ambiguity, as worrying isn’t worth it to Bobby. There’s a piece of him in everyone, there to remind us that things are probably going to work out, maybe. He’s you. He’s him. He’s her. He’s them. Bobby is always there, painted in the corner, urging you to relax and forget about your useless worries. And his motel? Well, the motel is life. It might not be clean, and the curtains might not shut all the way. The air conditioner might be broken, and the floors might be stained. But that’s okay, because you don’t go to Bobby’s Motel for the glamour and a good night’s sleep, the minibar, or the full-service sauna. You go to Bobby’s Motel to feel, to escape, to remember, to distract. You go for the late nights and early mornings, good times and the bad. You might spend your entire life looking for Bobby’s Motel and just when you think you will never find it, you realize you’ve been there all along. It’s filthy and amazing and you dance, and you love it.\u003c\/p\u003e\n\u003cp\u003eThe 11 songs on ‘Welcome to Bobby’s Motel’ don’t just invite you to move your body; they command you to. Fusing reckless, manic energy with painstaking precision, the record is part post-punk, part art-pop, and part dance floor acid trip, hinting at everything from Devo to Gang of Four as it boldly careens through genres and decades. The music is driven by explosive drums and off-kilter guitar riffs that drill themselves into your brain, accented with deep, funky grooves and rousing gang vocals. The production is similarly raw and wild, suggesting an air of anarchy that belies the music’s careful architecture and meticulous construction. The result is an album full of ambitious, complex performances that exude joy and mayhem in equal measure, a collection that’s alternately virtuosic, chaotic, and pure fun.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pottery","offers":[{"title":"Default Title","offer_id":47258265321666,"sku":"100P-12522","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/welcometobobbyCD.png?v=1773419264"},{"product_id":"i-inside-the-old-year-dying-cd","title":"I Inside the Old Year Dying CD","description":"\u003cp\u003ePJ Harvey’s tenth studio album I Inside the Old Year Dying marks her first release in seven years, following UK #1 album The Hope Six Demolition Project. On this album, which was recorded with long-time creative collaborators John Parish and Flood, PJ Harvey builds a sonic universe somehow located in a space between life’s opposites, and between recent history and the ancient past. Scattered with biblical imagery and references to Shakespeare, all of these distinctions ultimately dissolve into something profoundly uplifting and redemptive.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e","brand":"PJ Harvey","offers":[{"title":"Default Title","offer_id":47258265419970,"sku":"100P-12521","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Iinsidetheyearcd.png?v=1773419267"},{"product_id":"stay-proud-of-me-cd","title":"Stay Proud of Me CD","description":"\u003cp\u003eStay Proud of Me is the debut album from LA-based Korean-American artist NoSo (real name, Baek Hwong). Their stage name is shorthand for North\/South: a nod to their Korean heritage, and the inane origin question (\"Which Korea are you from?\") that so many Korean Americans inevitably face at some point in their lives. Across 10 tracks, NoSo indirectly grapples with the insecurities and frustrations that can arise from the Asian American experience, with the end result feeling like a balm for the alienated.\u003c\/p\u003e\n\u003cp\u003eStay Proud of Me offers a deeply earnest coming-of-age story, a nuanced introduction to NoSo’s universe and Hwong’s rapidly expanding musical abilities. The marriage of their lyrics and captivating guitar performance feels magical, as if NoSo can open up portals to fantastic new realms, guided by an emotional honesty that breaks you down in one moment and fills you with joy in the next.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NoSo","offers":[{"title":"Default Title","offer_id":47258265878722,"sku":"100P-12503","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/StayProudofMeCD.png?v=1773419278"},{"product_id":"karaoke-angel-cd","title":"Karaoke Angel CD","description":"\u003csection class=\"description product-description module\"\u003e\n\u003cdiv class=\"description-wrapper\"\u003e\n\u003carticle class=\"description-article\" itemprop=\"description\"\u003e\n\u003cp\u003eFrom the cliffs of Big Sur to the North Carolina backwoods - Molly Sarlé (1\/3 of Mountain Man) brings open-hearted, unflinching songwriting perfect for late-night karaoke comedowns, plaintive morning walks, and conjuring the spirit world. West Coast incantations with a warm, Appalachian glow.\u003c\/p\u003e\n\u003cp\u003e\u2028\u2028Her debut LP Karaoke Angel, out September 20th, is a collection of songs by a woman who was born understanding that her ability to feel - deeply and without shame - is her greatest strength. It is the result of a free and open-hearted devotion to the search for passion, and the complete, unwavering depiction of truth. Molly’s songs observe their own kind of internal logic, always a few steps behind or ahead of where you expect them to be - occasionally funny, always uncannily real.\u2028\u2028The work on Karaoke Angel began in a trailer on a the pacific coast and continued with stints in Los Angeles and Durham, NC. Recorded in a church-turned-recording studio in Woodstock, NY with production by Sam Evian, a minimal but carefully assembled palette of guitar, bass, and percussion form the foundation; an orchestra of unrecognizable atmospherics bounce off the high ceilings—but Molly’s delicate, expressive voice is always at the center.\u2028\u003c\/p\u003e\n\u003cp\u003eThroughout the record there are unflinching, open-hearted moments-Sarlé sings about being in a relationship with someone struggling with addiction (“This Close”), and a real conversation she had with her father about him considering suicide (“Almost Free”). But there's also humor throughout like getting stoned and channeling the spirit world (“Faith For Doubt”), or making post-coital grilled cheese (“Suddenly”).\u003c\/p\u003e\n\u003cp\u003eKaraoke Angel is available on vinyl LP, CD, and digital. T-shirt bundles are also available here (hyperlink to merch). Vinyl LP comes with a digital download card. All orders come with instant grat downloads of \"Human,\" \"This Close,\" and \"Suddenly.\"\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHuman\u003c\/li\u003e\n\u003cli\u003eThis Close\u003c\/li\u003e\n\u003cli\u003eKaraoke Angel\u003c\/li\u003e\n\u003cli\u003eAlmost Free\u003c\/li\u003e\n\u003cli\u003eTwisted\u003c\/li\u003e\n\u003cli\u003eFaith For Doubt\u003c\/li\u003e\n\u003cli\u003eKimberly\u003c\/li\u003e\n\u003cli\u003eDreams\u003c\/li\u003e\n\u003cli\u003eSuddenly\u003c\/li\u003e\n\u003cli\u003ePassenger Side\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Molly Sarlé","offers":[{"title":"Default Title","offer_id":47258266075330,"sku":"100P-12498","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/KaraokeAngelCD.png?v=1773419288"},{"product_id":"bobbie-gentrys-the-delta-sweete-revisited-cd","title":"Bobbie Gentry's The Delta Sweete Revisited CD","description":"\u003cp\u003eIt slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature.\u003c\/p\u003e\n\u003cp\u003eGentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R\u0026amp;B horns.\u003c\/p\u003e\n\u003cp\u003eIn her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance.\u003c\/p\u003e\n\u003cp\u003eBut The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead.\u003c\/p\u003e\n\u003cp\u003eThis Delta Sweete is her long-delayed justice—Mercury Rev's committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998's Deserter's Songs. From their recording lair in New York's Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry's foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry's stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star's Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway's Susanne Sundfør, who cuts through \"Tobacco Road\" with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams' PAX AM label, hovers through the acid- western suspense of Gentry's \"Jessye' Lisabeth\" with floating calm, like a comforting angel.\u003c\/p\u003e\n\u003cp\u003eOn the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.”\u003c\/p\u003e\n\u003cp\u003eGentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as\/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory.\u003c\/p\u003e\n\u003cp\u003e“Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. 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Striking emotionality is at the centre of this performance, leaning into an intimacy that is achieved by way of deeply personal reflections and velvety melodic compositions.\u003c\/p\u003e\n\u003cp\u003eIn Tori's words: \"\"To me, ‘To Enjoy Is The Only Thing’ feels like walking past tinsel-covered trees in mid-September, swimming along the calanques in the south of France, frost on the hood of a car, darkness at 4pm, lightness until 10pm, Sibylle Baier’s Colour Green, Devendra Banhart’s Ma, Adrianne Lenker’s a-sides, a muted feeling, the perpetual grey fog that swallows the Silver Coast in Portugal, an ugly green dress, the color red, red wine, red blood, red lips, the red of a cardinal’s robe, Switzerland, my mother’s diaries, a coroner’s report, the sun on my face, the end of love.\"\"\u003c\/p\u003e\n\u003cp\u003eTo Enjoy Is the Only Thing is out now on Partisan Records \/ Pieater.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e","brand":"Maple Glider","offers":[{"title":"Default Title","offer_id":47258266206402,"sku":"100P-12491","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/toenjoyistheonlythingcd.png?v=1773419298"},{"product_id":"i-get-into-trouble-cd","title":"I Get Into Trouble CD","description":"\u003cp\u003eMaple Glider is Naarm\/Melbourne-based singer-songwriter Tori Zietsch.\u003c\/p\u003e\n\u003cp\u003eOn her sophomore album I Get Into Trouble, Tori takes her songwriting to another level while she delves into her Christian childhood, exploring topics such as her relationship to her body, consent and shame, as well as the death of relationships, both romantic and familial. Heartbreaking at times, the songs ultimately paint a hopeful picture, shining a light on new life, new love, and the desire to find peace and connection with these experiences. \u003c\/p\u003e\n\u003cp\u003eUltimately, I Get Into Trouble is the sound of alchemized pain. In each song, Zietsch transmutes tribulation and confusion into clarity and deep insight. 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Painted with a broad pallet of only the most extreme hues of emotion, each track is marked by a distinctive danceable mania.\u003c\/p\u003e\n\u003cp\u003eLip Critic has earned early critical acclaim from NME (“on their way to becoming the next great NYC band”), Paste (“an apocalyptic wasteland of NYC’s best underground punk”), Rolling Stone (‘Songs You Need to Know’), Loud \u0026amp; Quiet (“one of NYC’s most talked about acts.”), Mary Anne Hobbs on BBC 6 Music, and Matt Wilkinson (“totally essential”).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e","brand":"Lip Critic","offers":[{"title":"Default Title","offer_id":47258267451586,"sku":"100P-12479","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/HexDealerCD.png?v=1773419332"},{"product_id":"theft-world-cd","title":"Theft World CD","description":"\u003cp\u003eLip Critic’s 2024 Partisan debut Hex Dealer was one of the most-hyped experimental releases of that year (“Like the B-52s on ketamine” -Paste) and signaled the Brooklyn band’s arrival as a borderline-batshit creative force. Theft World is their next chapter, built again from the chaos of two drummers locked in psychic combat, a sampler that sounds like it was struck by lightning, and frontman Bret Kaser’s paranoid preacher energy. But where Hex Dealer leapt from one absurdist vignette to the next, Theft World plays like a fully locked-in transmission. Themes orbit around the concept of theft, not just as a political force or digital dilemma, but as a surreal, emotional constant. 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At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement.\u003c\/p\u003e\n\u003cp\u003eAcross its 10 tracks, the album presents a coherent style and ethos – those scything guitars, Katie’s magical vocals – but still incorporates a wide and untethered vision. There are brooding, atmospheric rock songs (\"Still\", \"In Shade\") and others that apply a lighter, dreamier touch (\"Sore\", \"Mirrors\"), all tied together with impeccable instrumentation and a united vision. On Wednesday, the band played with dreamier soundscapes and production techniques, and Heart Under serves as the next stage of this development, with every instrument brilliantly pushed to its limit and every boundary of the band stretched.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e","brand":"Just Mustard","offers":[{"title":"Default Title","offer_id":47258268106946,"sku":"100P-12465","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/heartundercd.png?v=1773419370"},{"product_id":"we-were-just-here-cd","title":"WE WERE JUST HERE CD","description":"\u003cp\u003eOn  WE WERE JUST HERE, Dundalk’s Just Mustard surge out of the shadows from the submerged world of Heart Under with a sound that leans toward light and euphoria. Their signature elements remain intact - warped guitars, cavernous low ends, twisted sound design - but this time the noise is channeled into something warmer and more melodic. Inspired by club spaces and physical joy, the songs strive for immediacy and feeling. Katie Ball’s vocals rise higher in the mix, capturing a conflicted pursuit of happiness that she describes as “trying to feel euphoric, but at a cost.” Produced by the band and mixed by David Wrench (FKA Twigs, Frank Ocean, Caribou) the album expands their emotional palette while keeping things strange, textured, and uniquely their own. 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He also called on Paul Alexander of Denton, Texas maestros Midlake, renewing a working relationship that began on Queen Of Denmark.\u003c\/p\u003e\n\u003cp\u003eCD + DIGITAL TRACKLIST\u003c\/p\u003e\n\u003cp\u003e01 Metamorphosis\u003c\/p\u003e\n\u003cp\u003e02 Love is Magic\u003c\/p\u003e\n\u003cp\u003e03 Tempest\u003c\/p\u003e\n\u003cp\u003e04 Preppy Boy\u003c\/p\u003e\n\u003cp\u003e05 Smug Cunt\u003c\/p\u003e\n\u003cp\u003e06 He's Got His Mother's Hips\u003c\/p\u003e\n\u003cp\u003e07 Diet Gum\u003c\/p\u003e\n\u003cp\u003e08 Is He Strange\u003c\/p\u003e\n\u003cp\u003e09 The Common Snipe\u003c\/p\u003e\n\u003cp\u003e10 Touch and Go\u003c\/p\u003e\n\u003cp\u003e2XLP TRACKLIST\u003c\/p\u003e\n\u003cp\u003eSIDE ONE\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMetamorphosis\u003c\/li\u003e\n\u003cli\u003eLove Is Magic\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSIDE TWO\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTempest\u003c\/li\u003e\n\u003cli\u003ePreppy Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSIDE THREE\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSmug Cunt\u003c\/li\u003e\n\u003cli\u003eHe’s Got His Mother’s Hips\u003c\/li\u003e\n\u003cli\u003eDiet Gum\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSIDE FOUR\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIs He Strange\u003c\/li\u003e\n\u003cli\u003eCommon Snipe\u003c\/li\u003e\n\u003cli\u003eTouch And Go\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"John Grant","offers":[{"title":"Default Title","offer_id":47258268369090,"sku":"100P-12459","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/Loveismagic.png?v=1773419385"},{"product_id":"brutalism-cd","title":"Brutalism CD","description":"\u003cp\u003eIn a time of polarised politics and murky waters; IDLES and bands like them are needed to remind people that it's ok to dance and laugh and sing in the face of adversity. Bristol’s finest post-punk polemics IDLES have been promising to do great things for some time now, and with their debut album “Brutalism” they absolutely fulfill that promise, and a furious promise at that.\u003c\/p\u003e\n\u003cp\u003ePolitically charged, refreshingly confrontational and infectiously volatile, IDLES are a band like no other. Bringing the unsettling reality of the world we live in into their frantic assault on the senses, they are a band that until now could only be truly understood by witnessing in a live environment - but with “Brutalism” it surely feels like they have captured the intensity of that live sound. Bottled up here are the abrasive, memorable lyrics of Joseph Talbot delivered with all of the spite and wry humor he puts across on the stage.\u003c\/p\u003e\n\u003cp\u003eDedicated in part to the loss of his mother, who adorns the record’s cover, and partly to a perceived decimation of society, from the NHS to public services across Britain, “Brutalism” is a deadly serious indictment on popular culture.\u003c\/p\u003e\n\u003cp\u003eFrom the propulsive opener, “Heel \/ Heal”, and many highlights (“Well Done”, “Mother”, “Date Night”, “1049 Gotho”, “Stendahl Syndrome” just some) to the rare respite of the closer “Slow Savage”, the album marks the arrival of a true British talent – and in a musical world that can seem increasingly benign, one with so much to say.\u003c\/p\u003e\n\u003cp\u003eTracklist -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeel \/ Heal  \u003cbr\u003e2. Well Done\u003cbr\u003e3. Mother  \u003cbr\u003e4. Date Night  \u003cbr\u003e5. 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Available to pre-order now, this reissue will be released on 6th October 2023 via Partisan Records.\u003c\/p\u003e\n\u003cp\u003eJoy As An Act Of Resistance is a parade.\u003c\/p\u003e\n\u003cp\u003eIt’s a parade of laughing at the funeral, of listening to the bastards, of phlegm on the mirror. It’s a parade of my Grandfather’s wit, it is all the shit haircuts I’ve ever had. It is a parade of naivety, of a warm embrace, it is Young Thug’s dress. It’s the parade of being carried through the grim dark. It’s a parade of laughing at yourself. It is love. It is loving yourself. It is a parade of Tony Benn’s smile. It is Idles, for now. It’s the beautiful smell of immigrant food. It is a parade of vulnerability. It is Ilie Nastase It’s a parade of being at your worst. It is our best, for now. It is our thank you. It is our sorry. It is a parade without fluff but with a tonne of glitter and violence. It is a parade of what I truly miss and what I truly have. It is a parade of the second album. It is us cutting it’s fucking head off. It is a parade of joy in the face of all we don’t want and all we fear. It is a parade of you.\u003c\/p\u003e\n\u003cp\u003eTracklist -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eColossus\u003cbr\u003e2. N.F.A.M.W.A.P.  \u003cbr\u003e3. I'm Scum \u003cbr\u003e4. Danny Nedelko  \u003cbr\u003e5. Love Song  \u003cbr\u003e6. June  \u003cbr\u003e7. Samaritans  \u003cbr\u003e8. Television  \u003cbr\u003e9. Great  \u003cbr\u003e10. Gram Rock   \u003cbr\u003e11. Cry To Me\u003cbr\u003e12. 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The album celebrates the band’s success over the last two years, featuring songs from Brutalism and Joy as an Act of Resistance, and highlights their overall message of unity, and of healing through community.\u003c\/p\u003e\n\u003cp\u003e\"Our show at Bataclan was the end of a very long journey for us. On that tour we learnt so much about ourselves, each other and the audiences we have grown with over the past 10 years. That show was nothing short of catharsis and nothing more than love. We love what we do and the people who have carried us here, there was no hiding that at Bataclan and we are so very grateful that the moment was captured in all its glory, love and fatigue. Long live the open minded and long live the moment.\" - Joe Talbot\u003c\/p\u003e\n\u003cp\u003eA Beautiful Thing: IDLES Live at Le Bataclan is released on 6th December 2019 on Partisan Records.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePlease note that orders to Australia \/ New Zealand for this title will not be fulfilled.\u003c\/b\u003e\u003c\/p\u003e","brand":"IDLES","offers":[{"title":"Default Title","offer_id":47258269089986,"sku":"100P-12450","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/0773\/4722\/files\/AbeauifulthingCD.png?v=1773419407"},{"product_id":"ultra-mono-cd","title":"Ultra Mono CD","description":"\u003cp\u003eFollowing Brutalism (2017) and Joy as an Act of Resistance (2018), two releases that garnered global critical acclaim, IDLES return with their highly anticipated third album – Ultra Mono. 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There are, of course, numerous moments that will inspire absolute mayhem in a packed concert venue, but there are also fresh textures and experiments that push IDLES into thrilling new territory. “I don't really see us as a ‘rock band’ and working with Kenny [Beats] freed us of the idea of genre,” Talbot enthuses. “On this album, our dissolution of ego was helped by Kenny’s humble nature and willingness to learn. He has boundless passion for making the best song possible. Not the best ‘rock’ song — the best song possible.” He continues, “It was writing selfishly that helped make it possible. Reflecting. Telling my own story. Not trying to tell everyone else's story. 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